As part of the LA Opera Young Artist Program, he covered Figaro in Le nozze di Figaro under James Conlon and Bluebeard in Barrie Kosky’s production of Bluebeard’s Castle. Brownlee made his Los Angeles Philharmonic debut under Gustavo Dudamel in Beethoven’s Choral Fantasy and returned for performances of a new multimedia staging by Netia Jones of Chin’s Alice in Wonderland under Susanna Mälkki, which traveled to the Barbican in London with the BBC Symphony.
With the LA Philharmonic, he was seen as the Doctor in Pelléas et Melisande with Esa-Pekka Salonen conducting.
He also sang Colline in La bohème conducted by Gustavo Dudamel at LA Opera, as well as debuted at Atlanta Opera in the same role. Recent role debuts at Los Angeles Opera include Sprecher in Die Zauberflöte, the Bonze in Madama Butterfly and Captain Gardiner in Moby Dick, all conducted by James Conlon in the 2015-2016 season. He will debut at Teatro de São Carlos in Lisbon as Escamillo in Calixto Bieto’s production of Carmen. In the 2016-2017 season, Nicholas Brownlee will make his Metropolitan Opera debut as the First Soldier in Salome conducted by Johannes Debus and returns to Los Angeles Opera for productions of Tosca and Salome.
The first-prize winner of the 2016 Hans Gabor Belvedere Singing Competition, the Zarzuela prize at Operalia 2016, and 2015 Metropolitan Opera National Council Auditions, bass-baritone Nicholas Brownlee enters his final season as a Domingo-Coblurn-Stein Young Artist at Los Angeles Opera.
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